Jamie Lloyd’s Evita: A bold, brilliant revival

“Jamie Lloyd’s Evita is a thrilling, boundary-pushing revival with Rachel Zegler delivering a career-defining performance.”

STAR RATING: ⭐⭐⭐⭐⭐
THEATRE: London Palladium
DATES: June 14 - September 6, 2025

Jamie Lloyd has done it again. I had the chance to catch Evita during previews, and I’m absolutely bursting to share just how incredible this production is. As someone who already admires Lloyd’s work, I can confidently say this might be his best yet—and Rachel Zegler’s performance? Pure brilliance.

A Story Reimagined

Evita is no stranger to the stage. First premiering in 1978 in London and later in 1979 on Broadway, it tells the story of Eva Perón, Argentina’s iconic First Lady in the 1940s and ’50s. From a humble start in a small town to a meteoric rise in Buenos Aires, Eva’s ambition drove her to fame and political influence. But with that influence came controversy: her legacy remains as divisive as it is legendary.

Despite Evita’s long history, this revival brings something refreshingly new, and very Jamie Lloyd.

Lloyd’s Minimalist Magic

Known for his stripped-back, concept-driven staging, Lloyd applies his signature style here, but in a more grounded way than in his recent Sunset Boulevard. While there is some use of live filming and minimal set pieces, primarily a staircase and the iconic “EVITA” sign, the production is more costume-driven and emotionally rich.

The standout moment? Don't Cry for Me Argentina is performed from the theater’s balcony, reaching both those inside and gathered crowds outside. It’s a theatrical gesture that blurs the line between performance and protest—poignant and unforgettable.

Rachel Zegler: A Star Is Born

Leading the cast is the magnetic Rachel Zegler, and she is astonishing. Some questioned her youth, but it turns out to be perfect casting because Eva Perón herself was incredibly young during her rise. Zegler’s voice is stunning, her emotional range breathtaking, and her command of demanding choreography is awe-inspiring. She embodies Eva’s ambition, charisma, and vulnerability with rare nuance. I’m already planning to see the show again just to experience her performance one more time.

Diego Andrés Rodriguez as Che

Zegler’s powerhouse performance is matched by Diego Andrés Rodriguez as Che. As the show's narrator, Che offers a counterpoint to Eva’s glamor - a sharp, cynical lens on her ambition. The dynamic between Che and Eva is electric. Their physical and vocal interplay is compelling, with Che often interrupting, confronting, or shadowing Eva like a haunting conscience. Rodriguez brings a raw, rebellious edge that keeps the audience grounded.

Choreography That Tells a Story

Fabian Aloise’s choreography deserves its own standing ovation. In a show with minimal sets, the ensemble’s movement creates the world around Eva. Each dance number is bursting with narrative purpose, whether mimicking political rallies, street crowds, or personal turmoil. Costume shifts and tight formations support Eva’s journey from obscurity to stardom. If this choreography doesn’t win awards, I’ll be shocked.

Lighting, Music, and Atmosphere

Jon Clark’s lighting design is another unsung hero of the production. Lights are embedded into the set, dramatically shifting the mood - from stark realism to glitzy spectacle. Musicians are onstage too, subtly lit, blurring lines between performers and performance.

Andrew Lloyd Webber and Tim Rice’s legendary score is, of course, a masterpiece - it’s emotional, eclectic, and packed with iconic songs. Even as a first-time viewer, I’ve been looping the soundtrack since I left the theater.

This Evita is bold, emotional, and innovative. Jamie Lloyd brings out the heart of the story without unnecessary spectacle, while Rachel Zegler delivers a career-defining performance. If you can see it—do. This is theatre at its best.